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Keep The Videos Alive: To The Theater

Paul Jack
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NEWS: Applesauce Unleashed! The Gay Goes Cosmic

I'm pleased to announce the first glimpse at Applesauce, the original animated series that catapults queer storytelling to new imaginative heights. Produced by yours truly and Dex Craig, the love of my life, Applesauce will take you throughout space and time in an epic tale spanning from modern-day gay ghettos to the end of the universe.

The series follows Unity and Identity, a pair of 18th century dandies who must protect the universe from threats arcane and wild. Reality is fundamentally unstable, and they must continually mend it to prevent the end of everything.

Without further ado, here's the first two adventures of Unity and Identity! In the first, they must prevent a Celtic legend from ripping apart the galaxy:

And in the second, they must prevent an existentialist from taking his tragic out on the universe:

We're thrilled with the way they turned out. We weren't sure if we had enough computing power to render the sort of visuals we had planned, but the shots came out great. And I love the performances by the voice talent. Unity and Identity are played by the fabulous Don Hardy and the effervescent Brandon Grimaldi. Both worked with us in our previous production, Pandemonium, but unlike that project, we're able to redo the takes dozens of times until every line is exactly right.

Which is just one of the liberating things about animation. There are no limits to the visuals. We were always obsessed with trying to make the effects in Pandemonium "look real", as though objective reality were somehow desirable. In an animation, the audience just accepts that you have two pretentious fags bobbing in space -- and one reclines -- next to the giant BDSM god ripping apart the sun with his bare hands. It's not supposed to look real.

We have two more minute-long teasers on the way, and then we'll begin production on the first full-length episode. We'll be posting our progress right here on DoorQ, so stay tuned!



11/28/2007 8:11:00 AM | permalink | comments (0 | add) |
VIEWS: Nintendo Saved My Marriage

My husband doesn't play video games. He gets upset when I monopolize the big screen TV with hours of first-person shooting. He doesn't understand how I can possibly gain such spiritual bliss from levelling up my Mysticism skill, or why I really, truly needed to Catch Them All.

My husband doesn't play video games. He does, however, play Super Mario Galaxy. In fact we play it together, because some genius at Nintendo realized that my marriage was at stake, and wanted to help. Super Mario Galaxy includes a co-op multiplayer mode, in which one player -- the gamer, if you will -- controls Mario, and the other player -- the widower -- controls essentially everything else.

The key thing that makes this work is that there is nothing, absolutely nothing that the second player can do to actually hurt the first player. My other half has a blast waving the Wiimote around and shooting gay-ass rainbow wonder stars at bad guys, I have a blast because, you know, Mario, and everyone's happy except the divorce lawyers.

Also I had to smile when I heard Dex squeal with joy: "OMG! He turned into a bee!"

Yes, dear, yes he did. You heard it here first: the family that games together stays together. Thank you, Nintendo. Thank you.



11/16/2007 12:43:00 AM | permalink | comments (0 | add) |
REVIEWS: The Sacrifice (2005) - The Whipped Cream on your Microbudget Sundae
So I ordered The Sacrifice from Amazon just in time for Halloween. The Sacrifice is a "gay-themed" horror flick from first-time director Jamie Fessenden. The movie has awful sound, abysmal special effects, a budget of maybe $200, and a dramatic climax that will make you laugh out loud because it's so ridiculous. And it's still better than Dante's Cove, and let me tell you why.

I can overlook the low-budget video, I can accept the use of fade-to-white to indicate psychic powers, I can even get past the super soakers they used to spray the blood everywhere. Doing those things correctly requires buying film stock, installing various software suites and, well, actually having a crew. Those things are expensive. The pen and paper you need to write a good script aren't expensive at all, so there's just no excuse for bad writing.

And the writing in The Sacrifice is quite good. There was a sale at the Exposition Department, to be sure, but we may safely blame that on the genre. It is difficult to pull off a sensitive rebel emo goth boy as your main character, but Jonathan, our hero, does a magnificent job of not screaming "You don't love me!" at his mother or "I want my father back!" to David, the local boy with a dark secret and a fine, fine ass.

In the presence of a decent script, I can even get past shoddy acting, but Robert Kersey and David Snyder portrayed their characters (Jonathan and David) admirably. There's a certain chemistry between them that's always present, even though their awkward high school romance takes second stage to the evolving mystery of their small New England town.

And what a mystery it is. Haunted slave ships, mass graves, ancient cults, forbidden rituals... It's like an entire season of Buffy rolled into one movie. None of it is remotely plausible, mind you, but do we expect plausibility from the genre that brought us The Screaming Skull? We sure don't. The plot might not keep you on the edge of your seat, but it will keep you guessing, and the inevitable series of horrifying revelations at the end will satisfy, even if you predicted them.

Production values are low, of course, but The Sacrifice maintains an appropriately eerie tone throughout. And some of the choices actually work well. The use of Sony's Night Shot adds a Blair Witchy feel in a good way, and simple locked-off tripod shots of New England autumn establish mood quietly and effectively.

The only thing that truly marks The Sacrifice as an amateur production is the sound mixing. I had to keep adjusting the volume on my remote in order to catch all the lines. (My advice to Dunkirk? Get a Mac mini, install Garage Band, and you're one cheap USB microphone away from an ADR studio.)

Ultimately, though, I want to see more of this. I want to see gay movies where I'm rooting for an emo goth boy witch, and not some circuit party casualty. I want to see gay movies where the two leads share a romantic interest that's grounded in more than "I thought he was so hot!" And I want gay movies to provide more story than is required to set up twenty minute soft-porn sequences.

Thank you, Dunkirk Studios, for finally giving me what I want. They're working on a sequel -- I, for one, can't wait.


11/2/2007 9:43:00 AM | permalink | comments (0 | add) |
VIEWS: Change Everything
Unity and Identity pose before a giant robot. Greetings earthlings! I write from my living room in San Francisco, where I make gay sci-fi flicks in my pajamas. I'll be posting much of my work to date here on doorq, as well as pimping my current project, Applesauce. You can watch our first teaser right here and right now, with more to come.

But it's not all about me. doorq.com has brought together an amazing group of talented writers, animators, filmmakers and more. In this day and age, there's nothing stopping anyone from making a queer anime, a lesbian space opera or a horror flick in which the transgendered character is the hero, not the enemy. Our community's culture has been stuck on planet Earth for too long -- let's let our imaginations soar.

I'll also be writing up reviews of other queer genre projects, such as the wonderfully microbudget gay horror flick The Sacrifice, so stay tuned. Meanwhile pick up a camera, start a blog or a comic strip -- I want to see what you have to share in this technosnazzy age.



11/1/2007 10:00:00 AM | permalink | comments (0 | add) |
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